{"id":1179,"date":"2019-06-28T06:40:55","date_gmt":"2019-06-27T20:40:55","guid":{"rendered":"https:\/\/architecture.com.au\/?page_id=1179"},"modified":"2025-07-23T10:39:14","modified_gmt":"2025-07-23T02:39:14","slug":"venice-biennale","status":"publish","type":"page","link":"https:\/\/www.architecture.com.au\/venice-biennale","title":{"rendered":"Venice Biennale"},"content":{"rendered":"\t\t
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VENICE BIENNALE<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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HOME | 2025 Venice Architecture Biennale | Photographer: Peter Bennetts <\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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2025 Australian exhibition concept<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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HOME<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The Australian Institute of Architects present HOME at the 19th International Architecture Exhibition, La Biennale di Venezia, which will run from 8 May \u2013 20 November in 2025.<\/p>

HOME<\/strong><\/span>\u00a0presents an immersive, culturally rich experience grounded in Indigenous knowledge systems and architectural innovation. Led by Dr <\/strong><\/span>Michael Mossman<\/strong>, Emily McDaniel,<\/strong> and Jack Gillmer (Lilley)<\/strong>, as part of a Creative Sphere of First Nations architects and practitioners, the project conceptualises “home” as a convergence of memory, sensation, relationships, and future. The pavilion design integrates natural and artificial elements, focusing on sustainability, community engagement, and deep connections with Country.<\/p>

The proposal offers visitors an interactive space \u2014 the Country Sphere<\/strong><\/span> \u2014 designed for sensory engagement with earth, sound, and tactile elements. Participants are invited to leave their mark on the Living Canvas, sharing stories of home through a fusion of ancient traditions and contemporary technologies. The pavilion fosters deep connections with the environment, utilising both physical experiences and digital extensions through augmented reality.<\/p>

The Creative Sphere<\/strong><\/span> of Indigenous leadership of Mossman<\/strong><\/span>, McDaniel<\/strong><\/span> and Gillmer<\/strong><\/span>, and Clarence Slockee<\/strong><\/span>, Kaylie Salvatori<\/strong><\/span>, Elle Davidson<\/strong><\/span>, and Bradley Kerr<\/strong><\/span>, alongside global ambassadors, will bring rich cultural programming to the pavilion. This will feature storytelling, performance, future generational contributions and hands-on cultural exchanges, encouraging visitors to engage deeply with the theme of Home.<\/p>

HOME<\/strong><\/span> highlights the ethical significance of culture and sustainability, proposing that materials can be returned to Country, ensuring a minimal environmental impact and challenging the status quo of exhibition practices. This approach reinforces Country as foundational to the Biennale themes of Intelligens. Natural. Artificial. Collective<\/strong> and a core driver of architectural innovation. Positioned to challenge conventional architectural paradigms, the exhibition aims to leave a lasting legacy that integrates Indigenous knowledge and practices, inspiring future generations of architects to embrace a culturally and environmentally sustainable approach to the built environment.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"HOME<\/figure><\/div>
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2025 Venice Biennale Creative Directors\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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DR MICHAEL MOSSMAN<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Dr Michael Mossman is a Kuku Yalanji man who lectures and researches at the University of Sydney School of Architecture Design and Planning. He is a registered architect who champions Country and First Nations cultures as agents for structural change in the broader architectural profession at educational, practice and policy levels. As co-lead creative director, Michael will lead logistics + dialogue around public engagement + culture + architecture<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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JACK GILLMER-LILLEY<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Jack Gillmer-Lilley (Worimi & Biripi Guri) is an associate and First Nations lead at SJB. Interested in the intersection of cultural knowledge systems and the built environment, he seeks to enable Country as co- designer and collaborator of narrative and architectural approach to place. As co-lead creative director, Jack will lead logistics + dialogue around public engagement + culture +architecture.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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EMILY MCDANIEL<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Emily McDaniel is a Sydney-based independent curator, writer and educator from the Kalari Clan of the Wiradjuri Nation in central New South Wales. She consults on curatorship, engagement and interpretation in the public domain, the museums and galleries sector and media. As co-lead Creative Director, Emily will lead logistics + dialogue around public engagement + culture + curatorial art practices.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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(L-R) Jack Gillmer-Lilley, Emily McDaniel and Dr Michael Mossman | Photographer: Hannah Walker<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Venice Biennale partners<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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PROJECT TEAM AND DONORS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Creative Directors
<\/b>Dr Michael Mossman RAIA (Kuku Yalanji)
<\/span>Jack Gillmer \u2013 Lilley RAIA (Worimi & Biripi)
<\/span>Prof. Emily McDaniel (Wiradjuri)<\/span>\u00a0<\/span><\/p>

Creative Sphere
<\/b>Elle Davidson (Balanggarra)
<\/span>Bradley Kerr RAIA (Quandamooka)
<\/span>Kaylie Salvatori RAILA (Yuin)
<\/span>Clarence Slockee (Bundjalung)<\/span>\u00a0<\/span><\/p>

Ambassadors
<\/b>Daniel Boyd (Kuku Yalanji)
<\/span>Prof. Deborah Cheetham Fraillon AO FAHA (Yorta Yorta & Yuin)
<\/span>Prof. Franca Tamisari<\/span>\u00a0<\/span><\/p>

Branding & Graphics
<\/b>Sarah Coleman<\/span>\u00a0<\/span><\/p>

Production Manager
<\/b>Erin Davidson<\/span><\/p>

Commissoners Circle
<\/strong>Bridget Smyth LFRAIA
Janet Holmes \u00e0 Court AC Hon. RAIA
Jane Jose OAM
Prof. Carey Lyon LFRAIA
Lisa Moore FRAIA
The Hon. Lisa Singh
Lucy Turnbull AO
Dirk Yates RAIA
Dr Cameron Bruhn Hon. FRAIA<\/p>

Curatorial Committee
<\/strong>Claire McCaughan
Kate Goodwin Hon FRIBA
Maggie Edmond AM
Michael Jasper, Ivan Ling
Jane Cassidy FRAIA
Dr Cameron Bruhn Hon. FRAIA<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Project Support
<\/b>Justine Anderson RAIA
<\/span>Loren Bates
<\/span>Diego Carpentiero
<\/span>Sam Choi
<\/span>Liam Coe
<\/span>COLA Studio
<\/span>Adam Haddow FRAIA
<\/span>Matthew Higginbottom
<\/span>Jiwah
<\/span>James Kennedy
<\/span>Byron Kinnaird
<\/span>Cornel Ozies
<\/span>Kate Ryan
<\/span>Eliza Salvatori
<\/span>Kien Situ Van Young
<\/span>Ebony Syron
<\/span>Mitchell Thomas
<\/span>Anita Toft
<\/span>Adam Valentine
<\/span>Matthew Venables
<\/span>Hugo Vos
<\/span>Winsor Kerr
<\/span>Zion Engagement & Planning<\/span><\/p>

In-Kind Partners
<\/b>ARUP
<\/span>ClayWorks
<\/span>Euroluce<\/span>\u00a0<\/span><\/p>

Fabricators
<\/b>Daniel Burtt
<\/span>COX Servicio
<\/span>Guy Valentine<\/span>\u00a0<\/span><\/p>

Sound Design
<\/b>Prof. Deborah Cheetham Fraillon AO FAHA (Yorta Yorta & Yuin)<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Donors
<\/b>AKT Studios
<\/span>Matthew Allen RAIA and Heidi Forbes
<\/span>Atelier Chen Hung
<\/span>Kirsten Bauer
<\/span>Paul Berkemeier LFRAIA
<\/span>Bird de la Coeur Architects
<\/span>Dr Cameron Bruhn Hon. FRAIA
<\/span>Elizabeth Carpenter FRAIA
<\/span>Jane Cassidy LFRAIA
<\/span>Louise Cox AO LFRAIA
<\/span>DCM Bluelake Partners Pty Ltd (Daniel & Lyndell Droga)
<\/span>DKO Architecture
<\/span>George El Khouri OAM FRAIA
<\/span>Dr Shaneen Fantin FRAIA
<\/span>Karl Fender LFRAIA
<\/span>FMD Architects
<\/span>Annie Hensley
<\/span>Alan Holbrook RAIA
<\/span>Janet Holmes \u00e0 Court AC Hon. RAIA
<\/span>Hunt Architects
<\/span>Ian Moore Architects
<\/span>Keystone Architects
<\/span>Simon Knott FRAIA and Tai Snaith
<\/span>Kosloff Architecture
<\/span>Kiong Lee RAIA
<\/span>Prof. Carey Lyon LFRAIA
<\/span>Ken Maher AO LFRAIA and Jane Jose OAM
<\/span>MM Architects
<\/span>Neeson Murcutt Neille
<\/span>NH Architecture
<\/span>Oculus
<\/span>Claire Potter
<\/span>Andrea Rice RAIA
<\/span>Matteo Salval RAIA
<\/span>Seidler Architectural Foundation
<\/span>Bridget Smyth LFRAIA
<\/span>Speculative Architecture
<\/span>Studio Prineas
<\/span>Turnbull Foundation
<\/span>Welsh + Major
<\/span>Jenny Woodward<\/span>\u00a0\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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2025 Theme<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Intelligens. Natural. Artificial. Collective.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The title of the Biennale Architettura 2025 is\u00a0Intellig<\/u>ens. Natural. Artificial. Collective.<\/strong> Curated by the architect and engineer Carlo Ratti, the 19th International Architecture Exhibition will be about the built environment and the many disciplines that shape it. Architecture is at the centre – but not alone. It is part of an extended sphere that integrates art, engineering, biology, data science, social and political sciences, planetary systems sciences, and other disciplines – linking each and all of them to the materiality of urban space.<\/p>

The Biennale is open to the public Saturday, 10 May \u2013 Sunday, 23 November 2025<\/p><\/div><\/div><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Carlo Ratti | Supplied by the Venice Architecture Biennial<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Past Exhibitions<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Unsettling Queenstown | Anthony Coupe LFRAIA, Julian Worrall RAIA, Emily Paech, Ali Gumillya Baker and Dr Sarah Rhodes | Photographer: Tom Roe<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2023 - unsettling queenstown<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Anthony Coupe LFRAIA, Julian Worrall RAIA, Emily Paech, Ali Gumillya Baker and Dr Sarah Rhodes<\/strong><\/p>

Australia\u2019s identity is built on a double rupture: the expropriation of First Peoples\u2019 lands; and the displacement of settler populations from their ancestral motherlands. The country\u2019s wealth is based on an extractive relation to nature, regarding it as a standing reserve for exploitation. A dominion within the Commonwealth, Australia\u2019s statehood is bound to the British Crown. This structure of relations to land, people, and nature are inscribed in the patterns of its settlements, its architecture the spatial language of this inscription.<\/p>

Queenstown\u2019 is the name we give to this pattern of relations. At the end of the second Elizabethan Age, as the voice of First Peoples calls for reckoning, and with planetary urgencies pressing, the settled configuration of this contested inheritance is under question. Queenstown is being unsettled. This exhibition explores and participates in this unsettling, weaving elements from real places and gleanings from current architectural intelligence in search of ingredients to contribute to Venice\u2019s Laboratory of the Future.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Inbetween | Jefa Greenway and Tristan Wong | Photographer: SJB<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2021 - INBETWEEN<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Jefa Greenway and Tristan Wong<\/strong><\/p>

Inbetween<\/em> premiered on Thursday 20 May, and will be exhibited this year throughout Australia, across the Pacific region and more broadly, as well as online. \u201cNot being tied to the space in Venice has meant that we\u2019ve been able to create something that can be experienced by a much larger audience. The great thing about the new format is that essentially anyone can access it and it has longevity beyond the dates of the Biennale.\u201d explains Tristan. \u201cThis project isn\u2019t a collection of artefacts; it\u2019s forward looking and presents the innovative potential in learning from Indigenous methods and ideas. Embedding practices and knowledge that has been around for more than 60000 years into the way we design buildings creates opportunities for a new kind of architecture that is better for people, cities and the environment.\u201d<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Repair | Baracco+Wright Architects with artist Linda Tegg | Photographer: Rory Gardiner <\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2018 - REPAIR<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Mauro Baracco, Louise Wright with Linda Tegg<\/strong><\/p>

Repair<\/em> focused on Australian architecture that integrates built and natural systems to effect repair of the environment, and in so doing, mend or improve other societal, economic, and cultural conditions.\u00a0<\/p>

On entering the Pavilion, visitors found over 10,000 native Australian grassland plants arranged inside and outside of the Pavilion\u2019s granite structure. This field of vegetation, titled Grasslands<\/em>, allowed visitors to enter a physical dialogue between architecture and the endangered plant community \u2013 with just one percent of these threatened species left in their native Australian environment.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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2016 - Australia Pavilion - The Pool by Aileen Sage Architects (Amelia Holliday and Isabelle Toland) with Michelle Tabet. Photo Brett Boardman<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2016 - The Pool<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Amelia Holliday, Isabelle Toland (Aileen Sage) and Michelle Tabet<\/strong><\/p>

Using the pool as a lens through which to explore Australian cultural identity, the Australia Pavilion was transformed through the use of light, scent, sound, reflection and perspective to create a series of perceptual illusions within a designed landscape.<\/p>

Eight prominent cultural leaders from various fields were selected to share their personal stories, using the device of the pool as a platform to explore the relationship between architecture and Australian cultural identity. These included Olympic gold medal winning swimmers Ian Thorpe and Shane Gould, environmentalist and 2007 Australian of the Year Tim Flannery, fashion designers Romance Was Born, writer of best-selling book The Slap Christos Tsiolkas, winner of the 2012 Miles Franklin Prize Anna Funder, Indigenous art curator Hetti Perkins and Australian rock-musician Paul Kelly.<\/p>

The aim of the exhibition was to step outside the architect-to-architect discourse to show how a familiar, common object, the pool, is in fact pregnant with cultural significance, it is both artefact and catalyst of change. The Pool<\/em> is about public space as a vital component to society and shows the many ways in which its public character is interpreted and occupied.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Augmented Australia 1914-2014 \u2013 Minifie van Schaik, Caught Unawares, 2013, Sydney. Digital reconstruction by Ben Juckes.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2014 - Augmented Australia: 1914 - 2014<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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felix._Giles_Anderson+Goad<\/strong><\/p>

Augmented Australia<\/em>\u00a0 provided a virtual journey through 23 of Australia\u2019s most intriguing unbuilt projects through the use of a dedicated app.<\/p>

Augmented Australia<\/em>\u2019s virtual experience began under a temporary Cloud Space, where display images of each project automatically triggered three-dimensional (3D) augmented models, animations and interviews when viewed through the app. Including a 1:1 scale virtual model of the new Australia Pavilion by Denton Corker Marshall overlaid on its construction site.<\/p>

The exhibition then extended beyond the Giardini with real-world scale augmented models of each unbuilt project geographically positioned in various locations around Venice, marking the largest exhibition of its kind ever seen.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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2012 - Formations: New practices in Australian Architecture<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Anthony Burke, Gerard Reinmuth, with TOKO concept design<\/strong><\/p>

Formations provided a cross-section of the state of Australian architecture and singled out thirty-three unique practice structures corresponding to its agenda. The project was essentially made up of two components: the exhibition, with the unassuming Australia pavilion as its nucleus, and an accompanying catalogue. Of the total thirty-three surveyed practices, the pavilion exhibited six.<\/p>

The optimism and pluralist sensibility of\u00a0Formations\u00a0<\/em>was laudable. Indeed, it may soon be the case that, as Ole Bouman says, \u201carchitecture has become a universal access code, a mother key that may open countless doors in culture and in society.\u201d However, in the meantime, for any current student or young practitioner of a discipline and body of knowledge in turmoil, the need for professional (role) models is acute. The emancipatory bent of\u00a0Formations\u00a0<\/em>is more timely than ever.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Now and When | John Gollings and Ivan Rijavec | Photographer: John Gollings<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2010 - Now and When<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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John Gollings and Ivan Rijavec<\/strong><\/p>

Now and When<\/em>\u00a0explored the challenges facing our cities, engaging in timely issues that included sustainability, urban sprawl and density.<\/p>

The \u2018NOW\u2019 component featured aerial views of Australian urban landscapes, including Melbourne, Sydney and Surfers Paradise, contrasted with giant mining pits at Kalgoorlie and Mt Newman by renowned architectural photographer John Gollings. The \u2018WHEN\u2019 component, overseen by Ivan Rijavec and produced by FloodSlicer, featured a sequence of ideas from 17 architectural collaborations of possible future urban spaces, including floating or submerged cities, or desert spaces.<\/p>

Now and When<\/em>\u00a0exhibited on a completely new form of 3D stereoscopic technology, which goes beyond the latest cinematic release. Visitors were able to move around these urban scenes and experience the urbanised worlds from different perspectives.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Abundant | Neil Durbach, Vince Frost, Wendy Lewin, Kerstin Thompson and Gary Warner | Photographer: John Gollings<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2008 - Abundant<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Neil Durbach, Vince Frost, Wendy Lewin, Kerstin Thompson and Gary Warne<\/strong>r<\/p>

Abundant Australia<\/em> explored the astonishing ability of Australian architects to blend new influences, dramatic landscapes and Australia\u2019s unique multicultural society. Featuring over 140 architectural models of both domestic and commercial buildings from prominent Australian architects, including Ashton Raggatt McDougall, Denton Corker Marshall and Iredale Pedersen Hook, the exhibition revealed an architecture that is distinctly Australian.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Australia Pavilion<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Our National Pavilion<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Australia is one of 29 countries to be granted a permanent exhibition site within the Giardini della Biennale. In 2015, the Australia Council for the Arts unveiled Australia’s new permanent pavilion designed by Denton Corker Marshall. This new pavilion replaced a temporary exhibition space designed by Philip Cox in 1988, in use until 2013.\u00a0<\/p>

We gratefully acknowledge the Australia Council for the Arts for the use of the Australia Pavilion during the biennial architecture exhibition.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Australia Pavilion | Denton Corker Marshall | Photographer: John Gollings<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\tNetwork Venice Platinum Partner<\/span>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Janet Holmes a Court AC<\/p>

Penelope Seidler<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Anita Belgiorno-Nettis AM
Luca Belgiorno-Nettis AM<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\tVenice Biennale Bronze Partner<\/span>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\tVenice Biennale Event Sponsor<\/span>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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NETWORK VENICE<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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JOIN THE AUSTRALIAN INSTITUTE OF ARCHITECTS ON THE JOURNEY TO VENICE IN 2025<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The Venice Architecture Biennale, the premier global platform for architectural innovation, presents partners with a unique opportunity to align with a prestigious international event that attracts a global audience of professionals, decision-makers, and design enthusiasts.<\/span><\/span><\/p>

This exhibit comes at a critical moment in Australia\u2019s history, following the Referendum No Vote on the Uluru Statement from the Heart. HOME<\/i> serves as a timely and profound response, inviting a deeper understanding of First Nations perspectives and reinforcing the importance of truth-telling and cultural exchange.<\/p>

To bring this vision to life, we are seeking your partnership. Sponsoring the Australia Pavilion will support the design team as they execute a dynamic public program in Venice and achieve their mission of sharing First Nations perspectives with the world. Moreover, your sponsorship will contribute to the Institute\u2019s plans for a national display of the exhibition in 2026, ensuring its impact continues beyond Venice.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Network membership<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Venice Biennale Partnership<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Sponsoring the Australia Pavilion offers your organisation a unique opportunity to advance its Reconciliation Action Plan by supporting First Nations procurement and meaningful engagement. By partnering, you will play a pivotal role in amplifying the voices and expertise of a First Nations design team, showcasing Country-led ideas and practices on a global stage.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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